Reflections on the Golden Screen
Part Three
Prometheus (2012) Director: Ridley Scott
                     As Ridley Scott  proceeds with his love affair with Aliens it is becoming more and more apparent that none of the latest films will ever surpass the original two movies.   Prometheus is far more complex than any of the preceding films and begins with the reason for the spaceflight with theories on evolution and then borrowing from 1950's books by authors such as Eric von Daniken which were discredited as quackery a long time ago .  Armed with this dubious background, once again a woman leads the expedition  - this time in the shape of Noomi Rapace  who is very good but will never fill Sigourney Weaver's spacesuit - in fact, I can't think of anyone who ever will.  Michael Fassbender is the sinister android which is now a staple of every Alien film, on this occasion bizarrely imitating his hero Peter O'Toole and watching re-runs of  Lawrence of Arabia.   Down the pecking order we have the perennially unloveable Sean Harris, who you know will die a  horrific death  along with lesser known members of the cast.  Once again on an alien planet, the astronauts find their way to the cavernous organic control tower with the fossilised alien which was a source of fascination in Alien and once again they are picked off one by one.  Prometheus is a complicated story which I still find difficult to comprehend; it is exciting at times but the special effects are the best part of the movie which is well worth seeing without being breathtaking.
There is a part of me, however, which says that we have all come to exoect too much these days and the more we get the more we want - the reason I say this in this particular instance is because if there had been no preceding Alien films Prometheus may well have been better received . 
Passengers (2016) Director : Morton Tyldem
Given  that Jennifer Lawrence has taken the place of Debbie Harry as every school boys dream, I was  fully expecting Passengers to be a rom-com in space.  However, I found it to be an enjoyable S/F film which kept one's interest as it moved from a voyage to a  planet light years away ; to the engineer Jim Preston's (Chris Pratt) dilemma  as he wakes early from his 120 year hyper-sleep,; his crushing loneliness and its  unfortunate solution ; and onto high intensity action  in order to save the rest of the crew.   The film asks many moral questions , not least when Jim deliberately wakens Aurora (Jennifer Lawrence) to salve his loneliness and as they fall in love decides not to tell her.  Michael Sheen's Arthur the bartender is nicely downplayed and it's interesting to note how far robotics could one day go. - a bartender who is actually courteous  remains a dream.  Although we have come to  take  special effects for granted they are here quite spectacular both inside and outside the spaceship - it's a mark of the Director's expertise that he never allows the special effects to become overwhelming to the detriment of the storyline.  I once  read an S/F short story where the astronauts were all placed in hyper-sleep  and several of them after completing their journey woke insane - they had  suffered from a century long nightmare - perhaps a story for another day.  I have to say that it's a refreshing change from monsters and I enjoyed this film greatly.

Note the  painting of an astronaut on the left.   No, it's not a comic-book cover, although it is as good as any cover you will see - it is in fact an original painting designed a s a facsimile comic-book cover.  The original painting is A4 and is far more impressive than the picture here .  There are a few dozen different designs to choose from if you wish to purchase any - speak to my friend George Jones on [email protected] - you will not be disappointed.